Love And Longing In Bombay
Love and Longing in Bombay
Love and Longing in Bombay by Vikram Chandra. Love and Longing in Bombay is a dazzling collection of loosely intertwined stories. Love and Longing in Bombay is an ambitious, superbly controlled, gracefully written, humane book. In a waterfront bar in Bombay, an enigmatic civil servant tells stories to a group of friends.
Finally there is love and the way this guy falls in love was so crazy that I think that the author's perception of love is not my cup of tea. The five stories are all love stories, tamil films 2012 yet they are also stylish mysteries.
Our main protagonist visits a bar where an elderly man called Subramaniam, who is retired and very respected amongst the crowd. Follows the Matroska style of narration vis a vis story within a story within a story. If a picture paints a thousand words, then sometimes a thousand words can create just as many vivid images.
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Anyways, the ending was not to my taste, but I could at least digest it. His next novel is looked forward to with eager anticipation.
Some stories are binding but most specially the last one is too off the tracks and just doesnt make sense. Apparently this is my th review. This is high-order stuff and Chandra pulls most of it brilliantly. These stories are not, in the contemporary Anglo-American mode, temples to the symbol, or museums of the one resonant image that controls meaning. My husband asked me to lie.
Vikram Chandra currently divides his time between Mumbai and Berkeley, California, where he teaches creative writing at the University of California. The stories themselves have a perfect, fractal symmetry, each stroke containing the whole in a series of breathtaking, ever-expanding reflections. He was so rude to his sister and her family, who were only trying to help him. Yet the other stories in the book didn't hold my attention in the same way, although they were undoubtedly well-crafted and well-told.
The end waxes lyrical however. Once in a while you come across a book that makes you read with a kind of greed, as if you were breaking a fast. Kama showcased sex and identity crisis horribly, the ending had a will-understand thing, well we don't Mr. All in all, a love letter to the city, one that bids fair to challenge Rushdie's work for biggest homer. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art.
It's a world with no guarantee that all explained, not until such explanations catch you by the throat. Since it was set in India, I thought it might be by an Indian writer, but I wasn't sure. It was easy to see this story in diaspora, it had identity crisis as theme.
My Postcolonial Short Story class seems to be working, if this reception is anything to go by. Not as much a tour de force as A Fine Balance, but an enjoyable, and at times very poignant read.
The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. Could it have been that Arundhati Roy and her book has had more than their fair share of acclaim? Having giving that disclaimer, I truly did not like this book.
This book is like a Bollywood movie - every detail in the surrounding is described to perfection and it just flows together. Do you get the impression this collection is all about Story?
This eclectic mix of stories on the vast canvas of one of the most intriguing cities of the world is quite a read. Want to Read Currently Reading Read. The gods of poetry and death descend on a house in India to vie for the soul of a wounded monkey.
It is fantastic, a story ending a set of stories about stories, explaining that it was story that brought the storyteller and his wife together in the first place. The best part of all these stories is that they seem like happening to someone you know or probably yourself. Of course, the truth proves to be very much other than this, as the seedy revelations come tumbling out in typical police-procedural style. Lots of detours within the stories, left me with nothing other than scratching my head. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice.
She wanted to tell him that the past was responsible for him, for his beauty, but of course there was nothing to say, no possible way to explain. Each exhibits a formal unity and stylish assurance that compares more closely to the subtle undertatements of such other Indian writers as R.
An enormously satisfying, exciting and enriching book, Vikram Chandra's novel draws the reader deep into the lives of detective Sartaj Singh and Ganesh Gaitonde, the most wanted gangster in India. On the surface it's a mystery story, as a cop tries to track down the killer of what seems at first to be a traditional middle-class family's ultra-respectable father. For a cynic she despairs a lot.
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